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We drive past Rib Mountain,
the highest in a flat state—
sometimes fog mists
its side. Or rain
makes it look like a dark
green ship. Today
the sun, a carpenter,
builds a gold room at the top.
originally appeared in Dogwood Journal (2005)
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Sneeze, sit on the porch,
admire night’s black leotards
on a line. Irene’s
jukebox with “Sugar Shack,”
oh, Waupaca,
we could be happy together
but you refuse me,
the bachelor uncle
you never invite to reunions.
White steeple, white snow
on cornfields. Barn owls
tally up cow misdemeanors.
Cough and sniff
about how life isn’t fair anymore,
how strangers should keep to cities
and raise poverty.
originally appeared in Grain (1992)
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1.
A red doorway of leaves blows open
into a room filled with mourners.
I smell each blackened leaf:
I had forgotten it was September 30th.
His voice must be trapped in the stem
of this red one I put in my pocket.
2.
A few months ago the river was blue-brown.
My friend and I arrived
where lily pads sent white and yellow
blossoms up: floating gazebos. Minnows
tickled the backs of my knees.
The lilies have shriveled into old hands.
Brown water slides toward the city,
bearing acorns. Leaves drop off in wet arms.
3.
I leave the river, pass the junkyard
of apples fallen by the path. River
and leaves: I go to bed.
I hear it is good to mind your dreams.
Mine often smell of soil. I put
the red leaf under my pillow for luck.
Awake. A vase: hours breathe inside.
I can’t remember my dream. September
gold flowers fade as they open.
Moon on water. Dark birds
in bright trees. Monarchs head south.
Edges shift and disappear.
originally appeared in Folio (1987-1988)
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Death hides in a corner,
won’t come when called.
Waiting to die for decades,
she wears gray dresses,
no pizazz. At 94 she curses
another day of tea
and horehound candy. In her
nursing home bed she looks
surprised, angry—death
sneaks up, cradles her, tries
to make everything all right.
originally appeared in Moonwort Review (2005)
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Think of people who annoy you.
My neighbors keep
their German Shepherd out 24/7.
My boss fires my friends.
A snotty teller clucks when
I hand her a Canadian check.
Gnats
annoy.
When Stan and I walk in
the June woods, I tap dance,
slap, swat, finger-plug my ears,
rub dead gnats from my eyes.
They surround him. He says
I walk in a “cloud” of gnats.
A high-pitched buzz builds
till I break into
a run back to the cabin
where I wash my hair, black bodies
dotting a white sink—
the silence a relief,
quiet after mass murder.
originally appeared in Native West Press (2003)
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Gaywings bloom in May and into June,
thin blossoms, shorter than an ankle—
they often call as we walk past. Soon
they’ll be fading—we’ll be back to fulltime
jobs. We bend, admire purple fire
burning between a damp maple leaf
and a fern. Looking pale, we’re shyer
than they. In a week, they’ll come to grief.
originally appeared in Brittle Star (2004)
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In northern Wisconsin,
we expect to see pink
ladyslippers, but we’re early—
they’re tardy. We find
their favorite forests
but not a one. It’s like expecting
a loveletter from someone
you’re nuts about. The postman
brings only junk mail and bills.
Every day. You admit
no letter will come, mope.
Yet you keep looking.
originally appeared in Sea Change (2003)
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In a small restaurant
we drink martinis. My dad
orders for all of us—
is this the fifties? No,
my parents enjoy you.
Back then few families
would laugh with a gay son
and his partner in public.
Some see the past
as a dozen white roses,
blue vase, sunny sill.
My past crashed
into a wall,
no helmet.
As we dig into dinners,
you point us to the window—
a hummingbird flitters
by a feeder,
flies off. You,
a lake that wind gently ripples.
Small waves, early soft
crimson water lilies open.
originally appeared in modern words (2004)
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We walk around Shannon Lake
in spring. Everything smells wet,
and lazy afternoon light
makes us feel barely awake
till we pick up our pace, get
up close with flowers, the white
bunchberry, the cinnamon
fern under shade-spotty sun.
This lake lacks a dock, no sign
of people breaking up thin
waves with a horsepowered boat.
Alone: isn’t it so fine
to be together here, skin
tingling, no need of a coat?
originally appeared in One Trick Pony (2002)
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June. We search for ladyslippers
growing by pines near boggy ponds.
Wind makes little sound when it stirs—
for now we feel free from dangers,
headlines. The forest’s green deepens
June. We search for ladyslippers,
listen to competing songs—birds
belt out their latest number ones.
Wind makes little sound when it stirs
new grass. Take my hand, love. It’s yours.
Last autumn’s leaves, no longer bronze.
June. We search for ladyslippers
hiding from us interlopers—
when we talk, their silence responds.
Wind makes little sound when it stirs
briefly, a cat who wakes up, purrs,
runs off looking for liaisons.
June. We search for ladyslippers.
Wind makes little sound when it stirs.
originally appeared in Tipton Poetry Journal (2006)
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Where we searched for turtles
became a golf course. A small pond,
now a water trap. Turtles
lolled, paddled around. Messy
and wet, we’d go in
to pull them out,
take them home
till too many died
from air-conditioned rooms. We
learned to let them be, stopped
wading in to grab them, watched
when one would bloop
or another stick its weird head out
to see if we were worth looking at
before water’s dark door opened
to let them in.
forthcoming from Pudding Magazine
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While rowing through lilypads
to a reedy sandbar,
a tongue sticking out,
I see minnows zigzag,
slipping away quickly,
like an owl’s hoot
when I lie in a rented bed,
the moon thumbing me
like magazine pages.
originally appeared in Midwest Quarterly (1989)
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In a fiberglass tub,
a dead fish and grass smell
lead to a knifeline of sand
scratched on the bay. Summers
I crave stagnation,
dragonflies, reeds
and sunning turtles.
I pull in, tie the anchor
to a stump. An oriole skims
yellow water lilies.
A fisherman sings,
his bullfrog voice
in weedy water.
An intruder, I row out.
originally appeared in Orbis (1991)
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A blue heron raises
her weapon beak—
with gray-blue wings and
Mozart-writing-a-scherzo eyes,
we don’t dare get
too close. She demands
distance, can snag a snake,
eat every bit.
forthcoming from Blue Unicorn
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How many years have we come here?
Forty for me, for you, seven.
We’ve never seen loons swim so near,
almost to where we stand by clear
lake water. You: “This is heaven!”
How many years have we come here
looking for wildlife, even deer,
eating gardens back home, but then
we’ve never seen loons swim so near,
dipping, diving, showing no fear
as we try to be quiet men.
How many years have we come here
to escape the rest of the year,
to touch without job-stress again?
We’ve never seen loons swim so near,
yet they keep alert—they know we’re
close. Will they fly? We don’t know when.
How many years have we come here?
We’ve never seen loons swim so near.
originally appeared in Main Channel Voices (2005)
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Through the screen door
of their cage, we stare in—
both owls stare back,
make no sound:
pollen falling gently
on birch branches
in depths of a forest.
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A wooden path gets us
close to a pitcher
plant colony. I leave planks
to drop my eyes
into the biggest one. You stay
on the path, snap pictures.
I had forgotten spongy
sphagnum moss, crash
right through. Wet socks,
shins. I look at you,
a few steps ahead,
wonder what I’m not seeing,
what dangers hide. Silent,
we keep walking.
originally appeared in the Kansas City Star
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Taxidermy, resorts, gift shops,
restaurants, Minoqua
fills with families and
fishermen. In fall, the town’s
like a party with a few
guests left till hunting season.
February fishermen cut holes
in ice. April’s warmer
winds ruffle a wildflower
blanket, streets runny
with the thawing blood
of winter’s corpse.
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Up north we sit in Someplace Else:
my friend, the only woman
except for waitresses.
Orange jackets, hunters
talk of last year’s kill, Eagle River’s
upcoming Snowmobile Championship.
A portrait of a deer in the woods
with a woman’s face
hangs above us. Forks, knives,
coffee cups, and painted hooves
fleeing through lichen.
At the bar a drunk swerves
between whiskey and peanuts,
trips out to his car, a deer on its top.
His wife, probably at home,
a wedding picture above the bed:
she in white, he in black.
Orange sky pursuing whatever moves.
originally appeared in Island (1985)
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A lighthouse keeper,
he times Lake Superior’s
lights, keeps lenses turning
so skippers can tell
islands apart. Up high,
silent, he watches
lake birds, wave tips.
Many keepers prefer
the slap of water
against shore, seasons
like four strange voices
in trees. Storms can’t
quite cover the beam.
Vern makes light
the way farmers coax
earth into harvest.
originally appeared in Porcupine (2001)
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Many sank here, names
lost. Men trusted a boat—
clouds, purple welts,
rose off the bow:
water’s dictionary
left out “mercy”—
closed eyes,
an open mouth.
originally appeared in Orbis (1991)
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1.
1883. For five days
we hoped the storm that chained
us to Bayfield would free us—
Lake Superior, a man
dancing alone, knows every move,
yet who could guess his calm
when killing? Sun out,
we left, risking water’s
iron hooks. Waves
grew higher as we went farther
out, beyond the light,
where we remembered land
like childhood. Any other life,
dead letters and promises.
When the ship cracked
open, wind carried no messages,
our bodies lost. Our families
built absence a home.
2.
1884. Fishermen find a silver spoon
engraved with “Manistee”
in a trout’s belly.
originally appeared in Porcupine (2001)
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We drink milkshakes in Bayfield,
45s line walls. Tourists
scrape off jobs, amble
into shops. Lake Superior
has devoured many sailors,
holds secrets. A ghost
sits at any table. Someone
who died in the 1890s
pulls up a chair, sees
our Tommy Hilfiger shirts,
digital watches. Yet his lake
is also ours—icy water,
stunned moon. You and I talk
about tomorrow. He already
knows what he’ll do—stop by
a restaurant, listen, walk
on sand, watch for his body
between iron-scented waves.
originally appeared in Heartlands (2003)
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No one back in Louisville asks
if I’m happy. They pity me,
alone, long winters, no family.
Logging. We scratch ourselves raw
from mosquitoes. Saws cut off
fingers, limbs. Many pack up
for warmer places,
not a city of hardwoods.
Stockton Island surrenders
fall and spring quickly. Winter
ice turns shores jagged.
If I had a son, would I
tell him to try this work?
He’d have to like hearing
wind in trees, smelling peat,
wood smoke, oxen. The company’s
hitting hard times, men
laid off and fired. Maybe
I’m next. What to do
when I leave? I’m full
of trees, birds, the coming
of spring when Superior thaws.
originally appeared in Philadelphia Poets (2003)
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We slap and slap
black flies. I remove
rust-reddened sneakers.
You snap
pictures. Water bruises
our feet: we walk on
cold sky, roomy,
imagine miners who worked
in towns that sprawled
and fell,
head off in
different directions.
Later I warm
swollen feet
as you drive us
to a river
cutting into the Lake.
We walk over
a suspension bridge—
how familiar,
you and I on
a trembling bridge,
death flowing
beneath us,
Superior’s purple star
calling us to come
get it.
originally appeared in Spoon River Quarterly (1997)
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